Macpherson’s Lament

Jamie Macpherson was a Scottish robber, born in 1675, the illegitimate son of a Highland laird and a gypsy woman.
When his wealthy father, who had raised him in his house was killed by cattle thieves, he went to live with his gypsy mother. Growing up in that culture led him to a life of crime although he was more like Robin Hood in that he didn’t rob the poor and disadvantaged.

Jamie was unusually strong and skilled as a swordsman and a violin player.

He was arrested for bearing arms at a market and sentenced to death by hanging on November 16, 1700.

There was a pardon on the way but the town advanced their clock 15 minutes so the hanging would take place before the pardon arrived. The town left the clock in that position for many years.

While in prison the night before his execution he composed this song. Before he was hanged, he played this tune beneath the gallows, and then, after playing his song, he offered his fiddle to his clansmen to play it at his wake. No one came forward, and so he broke the fiddle across his knee, throwing the pieces to the crowd, saying, “No one else shall play Jamie Macpherson’s fiddle”.The Clan Macpherson Museum in Newtonmore houses what remains of his fiddle.

In the folk process many elements of melodies are similar and interchangeable. There is a resemblance in this to “I Heard The Voice of Jesus.” Click Here For: I Heard The Voice of Jesus

Lyrics:
[F] Farewell ye dungeons [C] dark and strong
[F] The wretch’s [Dm] destiny
[F] MacPherson’s life will [C] no’ be long
[F] On yonder gallows [C] tree

[F] Sae rantingly, [C] sae wantonly
[F] Sae dauntingly gaed [Dm] he
[F] He played a tune and he [C] danced aroon
[F] Below the gallows [C] tree

Oh what is death but parting breath
On mony’s the blood plain
I’ve seen his face and in this place
I scorn him yet again

Sae rantingly, sae wantonly
Sae dauntingly gaed he
He played a tune and he danced aroon
Below the gallows tree

I’ve lived a life of grief and strife
I die by trechery
But it breaks my heart, I must depart
And not avengá¨d be

Sae rantingly, sae wantonly
Sae dauntingly gaed he
He played a tune and he danced aroon
Below the gallows tree

Gae take these bonds from off my hands
And bring tae me my sword
And there’s no’ a man in all Scotland
But I’d brave him at his word

Sae rantingly, sae wantonly
Sae dauntingly gaed he
He played a tune and he danced aroon
Below the gallows tree

Pretty Peggy-O

Pretty Peggy-O is about the unrequited love between a captain of Irish dragoons for a beautiful Scottish girl in the fictional town of Fennario. The narration is from the voice of one of the captain’s soldiers. The captain promises the lady safety and happiness, but she refuses the captain’s advances saying she would not marry a penniless soldier. The captain subsequently leaves Fennario and later dies of a broken heart.

This tune was used in the song “Oh Freedom” and the last line “Before I’d be a slave, I’d Be buried in my grave” comes from that.

I’m amused that a lazy way to make lyrics rhyme is to put a -O after each last word in a sentence.

Peggy-O

[E] As we rode out to [A] Fennario,[E] as we rode on to Fennario [B7]
[A] Our captain fell in [C#m] love with a lady like a [A] dove
[E] And called her by a name, pretty [A] Peggy-O.[E]

Will you marry me pretty Peggy-O, will you marry me pretty Peggy-O
If you will marry me, I’ll set your cities free
And free all the people in the are-O.

I would marry you sweet William-O, I would marry you sweet William-O
I would marry you but your guineas are too few
And I fear my mama would be angry-O.

What would your mama think pretty Peggy-O,
What would your mama think pretty Peggy-O,
What would your mama think if she heard my guineas clink
Saw me marching at the head of my soldiers-O

Come steppin’ down the stairs pretty Peggy-O,
Come steppin’ down the stairs pretty Peggy-O,
Come steppin’ down the stairs combin’ back your yellow hair
Bid a last farewell to your William-O.

Sweet William he is dead pretty Peggy-O, sweet William he
is dead pretty Peggy-O,
Sweet William he is dead and he died for a maid
And he’s buried in the Louisiana country-O.

As we rode out to Fennario, as we rode out to Fennario
Our captain fell in love with a lady like a dove,
And called her by a name, pretty Peggy-O.

The Wild Colonial Boy


The Wild Colonial Boy is a traditional Irish song. It’s the story of a young lad who sailed from his home in Castlemaine, County Kerry, Ireland to Australia in the early nineteenth century and became a sort of Robbin Hood “robbing from the rich to feed the poor.” This is an account of his adventure.

Lyrics:

[D] There was a wild [G] colonial boy,
[A7] Jack Duggan was his [D] name
He was born and raised in [Em] Ireland,
in a [A7 place called [D] Castlemaine
He was his father’s [Em] only son,
his [A7] mother’s pride and [D] joy
And dearly did his [G] parents love
the [A7] wild colonial [D] boy

At the early age of sixteen years,
he left his native home
And to Australia’s sunny shore,
he was inclined to roam
He robbed the rich, he helped the poor,
he shot James MacEvoy
A terror to Australia was
the wild colonial boy

One morning on the prairie,
as Jack he rode along
A-listening to the mocking bird,
a-singing a cheerful song
Up stepped a band of troopers:
Kelly, Davis and Fitzroy
They all set out to capture him,
the wild colonial boy

Surrender now, Jack Duggan,
for you see we’re three to one.
Surrender in the King’s high name,
you are a plundering son
Jack drew two pistols from his belt,
he proudly waved them high.
“I’ll fight, but not surrender,”
said the wild colonial boy

He fired a shot at Kelly,
which brought him to the ground
And turning round to Davis,
he received a fatal wound
A bullet pierced his proud young heart,
from the pistol of Fitzroy
And that was how they captured him,
the wild colonial boy

The Rainbow


This ballad from the 16th century immortalizes a British galleon of the English Tudor Navy named “The Rainbow.” She fought against the Spanish during the “Singeing the King of Spain’s Beard” and the Spanish Armada, including the Battle of Gravelines in 1588.

In the story, as was a maritime tradition the captain’s wife bravely took command of the ship after his untimely demise.

Lyrics:
[D] As we were a-sailing out on the Spanish shore
[Bm] The drums they did beat me-boys and loud [D] cannons did [A] roar
[Bm] We spied our lofty enemy come [D] sailing down the [A] main
[D] With her scarves a-still high to our top sails again

Our captain says be ready oh he says me-boys stand true
To face the Spanish enemy we lately did pursue
To face the Spanish enemy they love the ocean wide
And without a good protection boys we’ll take the first broadside

Ah broadside to broadside – to battle then we went
To sink one another it was our intent
The very second broadside our captain he got slain
And his damsel – she stood up in his place to command

We fought for four hours – four hours – so severe
We scarcely had one man aboard – of our ship that could steer
We scarcely had one man aboard who’d fire off a gun
And the blood from our deck me boys – like a river did run

For quarters for quarters those Spanish lads did cry
No quarters no quarters this damsel did reply
You’ve had the finest quarters that I can afford
And you must sink or swim me-boys or jump overboard

And now the battle’s over – we’ll drink a glass of wine
And you must drink to your own-true-love as I will drink
to mine
Here’s health onto the damsel who fought all on the main
And here’s to the royal gallant ship the “Rainbow” by name

The Ash Grove


The Ash Grove is a 19th century Welsh folk song the tune of which has been set to many different lyrics including hymns and Christmas carols.

At age 17 my first professional show was at Ed Pearl’s Ash Grove folk music club at 8162 Melrose Avenue in Los Angeles. The venue was named after this song.

I recorded the RCA LP “Tonight in Person” with the Limeliters there in July of 1960. I had my 18th birthday in the club and the servers brought me a cupcake with a candle. It’s a sweet memory!

Lyrics:
[G] Down yonder green valley, where [Am] streamlets [D] meander,
When [G] twilight is [C] fading I [D] pensively [G] rove
Or at the bright noontide in [Am] solitude [D] wander,
[G] Amid the dark [C] shades of the [D] lonely [G] ash grove;
‘T was there, while the blackbird [Am] was cheerfully singing,
[G] I first met that dear one, [A] the joy of my [D] heart!
[G] Around us for gladness the [Am] bluebells were [D] ringing,
[G] Ah! then little [C] thought I how [D] soon we should [G] part.

Still glows the bright sunshine o’er valley and mountain,
Still warbles the blackbird its note from the tree;
Still trembles the moonbeam on streamlet and fountain,
But what are the beauties of nature to me?
With sorrow, deep sorrow, my bosom is laden,
All day I go mourning in search of my love;
Ye echoes, oh, tell me, where is the sweet maiden?
“She sleeps, ‘neath the green turf down by the ash grove.”

Repeat First Verse

Henry Lee


Derived from Child Ballad #68 “Young Hunting,” this classic tale of murder by a jilted lover is a good example of a Fatal Error. If Henry Lee had held his tongue about his love in that “Merry Green Land” he may have been able to escape his jealous girlfriend’s dagger.

Lyrics:
[E] Get down, [A] get down, [E] little Henry Lee, and stay all [B7] night [E] with me. [E] The very best [A] lodging I [E] can afford will be fare [B7] better’n [E] thee.” [A] “I can’t get down, and I [E] won’t get down, and [A] stay all night with [B7] thee, [E] For the girl I [A] have in that [E] merry green land, I love far [B7] better’n [E] thee.”

She leaned herself against a fence, just for a kiss or two; With a little weapon-knife in her hand, she plugged him through and through.”Come all you ladies in the town, a secret for me to keep, With a diamond ring held on my hand I’ll never will be forsake.”

“Some take him by his lily-white hand, some take him by his feet. We’ll throw him in this deep, deep well, more than one hundred feet. Lie there, lie there, loving Henry Lee, till the flesh drops from your bones.
The girl you have in that merry green land still wants for your return.”

“Fly down, fly down, you little bird, and alight on my right knee. Your cage will be of purest gold, in deed of property.”¨”I can’t fly down, or I won’t fly down, and alight on your right knee. A girl would murder her own true love would kill a little bird like me.”

“If I had my bend and bow, my arrow and my string,I’d pierce a dart so nigh your heart your wobble would be in vain.” “If you had had your bend and bow, your arrow and your string, I’d fly away to the merry green land and tell what I have seen.”

Tell Ole Gil


We don’t know exactly what kind of trouble Gil ran into but one might suspect from the first verse it had something to do with those “downtown gals” or perhaps their male “protectors.”

Lyrics:
Capo on second fret
[G] Tell old [Em] Gil when [G] he gets [Em] home, this [G] mornin’ [Em] [G] [Em] ,[G] 

Tell ol’ [Em] Gil when [G] he gets [Em] home this [Am] evenin’[D] [Am] [D] ,[G] Tell old [Em] Gil when [G] he gets [Em] home, [G] 
Leave them [Em] downtown [Am] gals [D] alone,
[G] This mornin’, [Bm] this [Am] evenin’,[D] [G] so soon! [Bm] [Am] [D]
Gil he left by the alley gate, this mornin…
Old sal said, “Now, don’t be late.”…
They brought Gil home in a hurry-up wagon, this mornin’,
They brought…poor dead Gil–his toes were a-draggin’…

Oh no, it can’t be so, this mornin…
Oh no, it can’t be so—Gil he left about an hour ago, This morning, this evening, so soon.

Tell old Gil when he gets home, this mornin’,

Tell ol’ Gil when he gets home,
Leave them downtown gals alone,
This mornin’, this evenin’, so soon!

Oh no, it can’t be so, this mornin…
Oh no, it can’t be so—Gil he left about an hour ago, This morning, this evening, so soon.

Oh no, it can’t be so, this mornin…
Oh no, it can’t be so—Gil he left about an hour ago, This morning, this evening, so soon.

The Month of January

This traditional song [Roud Folksong Database #175] has been sung all over the world. It’s the tragic story of a young woman who became pregnant by her poor lover. Her rich parents bribe the young man to disappear. She is left to freeze in the cold with her infant.

I recorded this with the “Jetglow” Rickenbacker given to me by my friend Bill Lee, using my new Janglebox 3 for both Rickenbacker 12-string and bass.

Lyrics:
Capo 1st fret Key of D

[D] It was in the month of January, the [C] hills were clad in [D] snow
And over hills and valleys, to my true love I did [G] go
[D] It was there I met a pretty fair maid, with a salt tear in her [C] eye
[D] She had a wee baby in her arms, and [C] bitter she did [D] cry

“Oh, cruel was my father, he barred the door on me
And cruel was my mother, this fate she let me see
And cruel was my own true love, he changed his mind for gold
Cruel was that winter’s night, it pierced my heart with cold”

Oh, the higher that the palm tree grows, the sweeter is the bark
And the fairer that a young man speaks, the falser is his heart
He will kiss you and embrace you, ’til he thinks he has you won
Then he’ll go away and leave you all for another one

So come all you fair and tender maidens, a warning take by me
And never try to build your nest on top of a high tree
For the roots, they will all wither, and the branches all decay
And the beauties of a fair young man, will all soon fade away

John Hardy

In West Virginia, a railroad worker named John Hardy got violent during a game of craps and fatally shot Thomas Drews, a fellow player. Hardy was tried, found guilty of murder in the first degree and hanged on January 19, 1894. History records this from the Wheeling Daily Register. Judge Herndon and Walter Taylor defended Hardy. Allegedly, Hardy gave Judge Herndon his pistol as a fee.
Lyrics:
CAPO ON 1ST FRET
[F] John Hardy, was a [C] desperate little man,
[F] He carried two guns [C] every day.
[F] He shot a man on the [C] West Virginia line,
[C] You oughta seen John Hardy gettin’ away,
[C] You oughta seen John Hardy [G7] gettin’ [C] away.

John Hardy, he got to the Keystone Bridge,
He thought he would be free.
Up steps a man and takes him by his arm
Saying, “Johnny, walk along with me,”
Saying, “Johnny, walk along with me.”

John Hardy was a brave little man,
He carried two guns ev’ry day.
Killed him a man in the West Virginia land,
Oughta seen poor Johnny gettin’ away, Lord, Lord,
Oughta seen poor Johnny gettin’ away.

John Hardy was standin’ at the barroom door,
He didn’t have a hand in the game,
Up stepped his woman and threw down fifty cents,
Says, “Deal my man in the game, Lord, Lord….”

John Hardy lost that fifty cents,
It was all he had in the game,
He drew the forty-four that he carried by his side
Blowed out that poor Negro’s brains, Lord, Lord….

John Hardy had ten miles to go,
And half of that he run,
He run till he come to the broad river bank,
He fell to his breast and he swum, Lord, Lord….

He swum till he came to his mother’s house,
“My boy, what have you done?”
“I’ve killed a man in the West Virginia Land,
And I know that I have to be hung, Lord, Lord….”

He asked his mother for a fifty-cent piece,
“My son, I have no change.”
“Then hand me down my old forty-four
And I’ll blow out my agurvatin’ [sic] brains, Lord, Lord….”

John Hardy was lyin’ on the broad river bank,
As drunk as a man could be;
Up stepped the police and took him by the hand,
Sayin’ “Johnny, come and go with me, Lord, Lord….”

John Hardy had a pretty little girl,
The dress she wore was blue.
She come a-skippin’ through the old jail hall
Sayin’, “Poppy, I’ll be true to you, Lord, Lord….”

John Hardy had another little girl,
The dress that she wore was red,
She came a-skippin’ through the old jail hall
Sayin’ “Poppy, I’d rather be dead, Lord, Lord….”

They took John Hardy to the hangin’ ground,
They hung him there to die.
The very last words that poor boy said,
“My forty gun never told a lie, Lord, Lord….”

Titanic

When the Costa Concordia capsized last month, people described the panic and chaos during a rather unruly evacuation as reminiscent of the pandemonium on board the Titanic as it sank nearly 100 years ago. I remembered hearing this song in the Harry Smith Anthology of American Music and decided it would be fitting for the Folk Den’s February release.

There are many versions of this. I combined the two that I liked best.

Lyrics:
Riff in A

On a Monday morning, just about nine o’clock
Great Titanic began to reel and rock
Children weep and cry, yes I’m going to die
Wasn’t it sad when that great ship went down

Wasn’t it sad when that great ship went down
Husbands and wives little children lost their lives
Wasn’t it sad when that great ship went down

When that ship left England, making for the shore
The rich had declared they would not ride with the poor
They put the poor below they were the first to go
Wasn’t it sad when that great ship went down

Wasn’t it sad when that great ship went down
Husbands and wives, children lost their lives
Wasn’t it sad when that great ship went down

They threw the life boats over, in the dark and stormy seas
The band began to play “O Give Thy Soul To Thee”
Wasn’t it sad when that great ship went down

Wasn’t it sad when that great ship went down
Little children wept and cried as they left their mother’s side
Wasn’t it sad when that great ship went down

Wasn’t it sad when that great ship went down
Husbands and wives, children lost their lives
Wasn’t it sad when that great ship went down

People on that ship, a long long way from home
Friends all around, didn’t know their time had come
Death come riding by, sixteen hundred had to die
Wasn’t it sad when that great ship went down

Wasn’t it sad when that great ship went down
Husbands and wives, children lost their lives
Wasn’t it sad when that great ship went down